

Broadcasts
of the 2006-2007 77th season for the
Waterloo-Cedar
Falls Symphony Orchestra will be heard usually on the last Sunday of the month, 11:00 a.m. to 1:00 p.m. The concerts, under the baton of
Music Director Jason Weinberger, (left) are recorded by KUNI in the Gallagher-Bluedorn
Performing Arts Center on the campus of the University of Northern Iowa in Cedar
Falls (unless noted). Here's the 2006-07
schedule.
Check the broadcast schedule on
KHKE.
Listings updated 8/9/06.
2006-2007 Season on KUNI!
Typically, the last Sunday of each month, 11:00 a.m to 1:00 p.m.
Oct.
8, 2006--Concert recorded Sept. 17, 2006: Three's Company/Chamber
Music/Hear Music
Director Jason Weinberger on clarinet and WCFSO Principal Cello Jonathan
Chenoweth with special guests in an afternoon of chamber music trios. Among the
selections will be Beethoven’s delightful trio, the earliest known work for the
combination of clarinet, cello, and piano as well as the suite from Stravinsky’s
The Soldier’s Tale in the composer’s intimate arrangement for clarinet,
violin, and piano. This concert of trios is completed by the jazzy and
neo-classical Concerto a tre for clarinet, violin, and cello by the superb and
under-recognized American composer Ingolf Dahl.
Oct.
29, 2006--Concert recorded Oct.
7, 2006: From Russia with Love/Nadja Salerno-Sonnenberg/The
Washington Post calls her “One of the few classical artists who must be
experienced in person.” One of the most important figures in the music world,
Nadja Salerno-Sonnenberg joins the WCFSO for a thrilling performance of
Tchaikovsky’s soaring Violin Concerto. This exciting event also features one of
Igor Stravinsky’s most colorful and evocative ballet scores, Petrouchka.
Hear the virtuosic musicians of the WCFSO as you never have before in this
magical and haunting dance of folklore and passion.
Nov. 26,
2006--Concert recorded Nov. 11, 2006: A Heavenly Voice/Classical Concert/The
WCFSO’s exploration of the great symphonist Gustav Mahler under the direction of
Music Director Jason Weinberger continues with this performance of the Fourth
Symphony. Widely viewed as the composer’s most accessible work, the Fourth seems
attuned to the sounds and sensations of nature, an element of the performance
that should dovetail with the vivid air and color of fall in the Midwest.
Soprano Courtenay Budd, who the San Francisco Classical Voice calls “a
real find…with a gorgeous liquid high range”, will join the orchestra for the
final movement of Mahler’s symphony as well as one of the great American works
for voice and orchestra, Samuel Barber’s heartfelt depiction of his childhood in
Knoxville: Summer 1915. A suite of orchestral dances by Bach rounds out
this diverse and delightful evening of music.
Dec.
24, 2006--Concerts recorded
Dec. 8-9, 2006:
Holiday Pops/A
crowd pleaser for Holiday Pops 2004, vocalist Nola Shepherd returns to be part
of the WCFSO’s annual gift to Cedar Valley music lovers. There’ll be familiar
traditional and contemporary selections. Of course everyone looks forward to the
last few minutes of the concert as the audience joins voices to sing some
beloved carols and tunes. If you haven’t experienced this family favorite, make
this the holiday season you give yourself a present.
Jan.
28, 2007--Concert recorded
Jan. 12, 2007: All That Jazz/Chamber Orchestra/The
spotlight falls on the WCFSO’s own Principal Oboe Tom Barry – on sax! – in
several jazzy works for chamber orchestra including Milhaud’s ballet La
Creation du Monde and Kurt Weill’s Threepenny Opera. Other members of
the symphony’s wind and brass sections will swing in pieces by Copland and Ives,
both influenced by America’s native music of improvisation and rhythm, jazz.
Feb.
25, 2007--Concert recorded
Feb. 3, 2007: American Sounds/Continuing
a recent WCFSO tradition of featuring the sounds of our nation in an
all-American program, this evening highlights two well-known Americans and one
you might enjoy getting to know a little better. In contrast to his compatriots
Aaron Copland and John Williams, Irving Fine is not famous or widely-performed
but his Music for Orchestra will capture your imagination with its
uniquely American voice and inventiveness. Randy Grabowski, Principal Trumpet of
the WCFSO comes to the front of the orchestra to tackle John Williams’s
challenging Concerto for Trumpet. The concert concludes with Copland’s
classic music from the ballet Billy the Kid.
Mar.
18, 2007--Concert
recorded Mar. 3, 2007:
The Dance of Politics and Art/Classical Concert/The
music of Russian composer Dmitri Shostakovich is impossible to understand
separate from the backdrop of political circumstances in Russia during his
lifetime. A Soviet composer seeking creativity despite the incessant scrutiny
and threat of Stalin’s repressive regime, Shostakovich managed against all odds
to give his emotions and passions universal musical form. Nowhere is this more
clear than in his Fifth Symphony, an astonishingly complex and powerful
response to Stalin’s criticism. Haydn is another composer whose music is
inseparable from politics, though in his case the relationship is represented by
the artistic freedom given the composer by his benevolent patron, Prince
Nikolaus Esterházy. This all-orchestral program is rounded out by the suite from
Erik Satie’s ballet Parade, a French work from the early 20th-century
whose scandalous use of popular music landed its composer in jail labeled as a
"cultural anarchist."
Apr.
29, 2007--Concert recorded
Apr. 7, 2007: Danse Francaise/Classical Concert/The
final concert of the WCFSO classical season features music that will dance right
off the stage. Bizet’s opera Carmen, famous for the sultry vocalizations
of its heroine, also displays the French interest in Spanish dance and rhythm.
Maurice Ravel, more open than many other composers to outside influence in his
music, takes in jazz and a number of other styles in his Concerto in G.
Watch the fingers of 25-year-old rising piano phenom Orion Weiss, awarded a 2002
Avery Fisher Career Grant, dance across the keys as he performs this delightful
20th-century concerto. Schumann’s Second Symphony, one of his brightest
and most energetic, will provide an apt ending to this classical season of dance
and movement in music.
May 27,
2007--Concert recorded Apr.
28, 2007: Spring Pops/PDQ
Bach with Peter Schickele - The Vegas Years/If you enjoyed getting to know the
composer Peter Schickele during his acclaimed Music Alive residency with the
WCFSO in 2004-05, then you’ll love hearing him in his other guise as the
long-lost son of Johann Sebastian Bach. The New York Times says, “As a
musical humorist, Mr. Schickele is without peer and irreplaceable.” This program
features P.D.Q.’s shameless oratorio, “Oedipus Tex,” and Schickele’s infamous
“Songs from Shakespeare,” in which some of the Bard’s best-known speeches are
dropped into a seething vat of 1950’s pop music styles. Experience classical
music’s answer to The Marx Brothers!